Aica Caraïbe du Sud
Articles in English
L’Oeil du lézard : all in english
For a more significant contribution to the promotion of Caribbean art internationally, Aica Southern Caribbean has opted for the creation of a series of short videos online in French English and Spanish. This series, depending on the partners’ agreement, aims at introducing contemporary Caribbean visual artists from the entire archipelago. Initiated by Dominique Brebion from Martinique, the series will … Lire la suite
Signs, Graphics and painting
Prehistoric peoples were already drawing mysterious signs on rocks. The Egyptians decorated their walls, clothing, vases and jewellery with strange snakes, eyes, lines and dots. Even today, there are still isolated peoples conveying messages with carved signs and figures in wood and bark. For centuries, they have been transmitting messages, directly and clearly. In the … Lire la suite
L’oeil du lézard : Louisa Marajo ( English)
For a more significant contribution to the promotion of Caribbean art internationally, Aica Southern Caribbean has opted for the creation of a series of short videos online in French English and Spanish. This series, depending on the partners’ agreement, aims at introducing contemporary Caribbean visual artists from the entire archipelago. Initiated by Dominique Brebion from Martinique, the series will … Lire la suite
l’Oeil du lézard : Luz Severino ( english)
For a more significant contribution to the promotion of Caribbean art internationally, Aica Southern Caribbean has opted for the creation of a series of short videos online in French English and Spanish. This series, depending on the partners’ agreement, aims at introducing contemporary Caribbean visual artists from the entire archipelago. Initiated by Dominique Brebion from Martinique, the series … Lire la suite
MEMORIAL DE LA CATASTROPHE DE SAINT – PIERRE MUSEE FRANK A. PERRET
From Wednesday 8 May, you can visit the newly refurbished Frank A. Perret Museum in Saint Pierre, Martinique, which commemorates the devastating eruption of Mount Pelée, in 1902. The museum was designed by the architect, Olivier Compère, to exude elegant and clear lines in a resolutely modern style. Situated on the esplanade overlooking the Bay … Lire la suite
Reinventing the practice of painting
How are artists from Martinique questioning and renewing the act of painting? They are now exploring and experimenting with new tools, new pigments, new techniques, a new intervention in space and with a combination of approaches. Is it still possible to talk about painting in the singular when artists are inventing new techniques and new … Lire la suite
6Th Ghetto biennal : call for artists and curators
A call for artists and curators (calls in Kreyòl, 官话, Português, لغة العربية, Español, русский, Ελληνικά, Deutsche, Français, नॉट available soon on the website) http://www.ghettobiennale.org ‘Every form of enslavement generates in one way or another an opposing struggle for liberation’ Carolyn E. Fick, The Making of Haiti, (The University of Tennessee Press 1990) The Haitian … Lire la suite
The Boundaries Between: Fashioning in Beyond Fashion
The Boundaries Between: Fashioning in Beyond Fashion Shani Roper, Liberty Hall National Gallery’s exhibition Beyond Fashion is a dialogue about the boundaries – the boundaries between fashion, fashioning and social commentary– and what it means to challenge, push against and blur these boundaries. The exhibition begins by by locating the works within … Lire la suite
L’oeil du lézard : Valérie John
For a more significant contribution to the promotion of Caribbean art internationally, Aica Southern Caribbean has opted for the creation of a series of short videos online in French English and Spanish. This series, depending on the partners’ agreement, aims at introducing contemporary Caribbean visual artists from the entire archipelago. Initiated by Dominique Brebion from Martinique, the series will … Lire la suite
THE XIII HABANA BIENNAL ON APRIL -MAY 2019
CURATORIAL STATEMENT THE HAVANA BIENNIAL, well-known as one of the most outstanding and important art events in Latin America, the Caribbean, and the world, has provided visibility not only to the Cuban contemporary thought and art practices, but to those of the Global South and other regions. Since it was first launched in 1984, the Biennial has … Lire la suite
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