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Articles in English, Theory and critique of art in the Caribbean

Theory and Art Criticism in the Caribbean

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Theory and critique of art in the Caribbean
Sharing essential texts on Caribbean contemporary art
Aica Caraïbe du Sud and the Fondation Clément

 

During the 1980s, the artistic development in the Antillean archipelago went hand in hand with a will to analyze and contextualize in a critical manner the artistic activity in the region. Gerardo Mosquera, Sara Hermann, Annie Paul, Kobena Mercer, as well as Christopher Cozier and Yolanda Wood, attempted to redefine the notions of art criticism in the Caribbean. In so doing, they broadened the horizons of artistic practice in the region. This stance made it possible to transcend the frontiers of the Caribbean archipelago, and help bridge the gap between the different artistic disciplines.

This movement expanded thanks to the creation of reviews and magazines such as Arte Cubano, Small Axe, Arte Sur and Arc Magazine, which facilitated the development and diffusion of critical writing.

Beyond the art world, a group of Caribbean thinkers became attuned to the vitality of the region, adding their vision to the theoretical corpus of the time. Benita Rojo, Stuart Hall, David Scott, Edouard Glissant and Michael Dash developed a new analysis of the Caribbean, placing it at the heart of the cartography of contemporary thinking.

This project, initiated by two members of L’Aica Caraibe du Sud, Dominique Brebion and Carlos Garrido, has the aspiration to provide access to fundamental theoretical texts to researchers, students, critics, curators, art lovers and visual artists from the three language areas. The project’s goal is to encourage exchanges thanks to the development of such a shared theoretical base.

L’Aica Caraibe du Sud, www.aica-sc.net, a section of the International Association of Art Critics (AICA), intends to help enlarge the influence of visual artists from Martinique and the Caribbean, and create a network of connections between the different cultural partners of the Caribbean, thus overcoming the linguistic and geographical fragmentation of the region.

The Fondation Clément, the corporate foundation of the Groupe Bernard Hayot (GBH), aims to help stimulate the arts and the cultural patrimony of the Caribbean and the Indian Ocean. It supports contemporary artistic creation by organizing exhibitions at the Habitation Clément, it builds a collection of recent artworks representative of the Caribbean creation, and co-publishes artists’ monographs. The Fondation Clément also manages an important documentary collection composed of private archives, a library on the history of the Caribbean, and an image bank. It also contributes to the protection of the Creole patrimony by stressing the value of traditional architecture.

Together they will guide this evolving project forward, making available a corpus of theoretical texts and critical essays on contemporary Caribbean art in their individual sites.

Each text will be inserted in English, French and Spanish, accompanied by:

  • Key words.
  • An abstract.
  • A contextualization within the corpus of theoretical texts (what is its importance regarding other texts).
  • A biography of the author (1000 characters)
  • The precise reference of a work (title, author, editor, date of publication, ISBN and eventually an order form).

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